It’s Far More Important Than That: Football Fandom and Cultural Capital

It’s Far More Important Than That: Football Fandom and Cultural Capital Brendan Richardson, UCC, Ireland Darach Turley, Dublin City University, Ireland

Click to access eacr_vol8_94.pdf

A clear focus on the following concepts: Neotribalism – Neotribalism or modern tribalism is the ideology that human beings have evolved to live in tribal society, as opposed to mass society, and thus will naturally form social networks constituting new “tribes.” (see also – The Time of the Tribes: The Decline of Individualism in Mass Society, a book by Michel Maffesoli) Subculture Cultural Capital Subcultural Capital – an idea touched on with the article, pretty self-explanatory… the non-financial and social assets of a culture that is (in some form) differentiated from the larger culture to which it operates within, or belongs. Habitus The following extract from the article outlines, in essence, the relationships and roles between fans, players, the game itself , in a sense of ‘neotribalism’. ‘Participation in ritualised singing and chanting has a number of additional effects. It bonds the fans together as a group, deepening the felt sense of group identity (Belk 1988, McCracken 1988:87).

It provides opportunities for narcissistic display (Maffesoli 1996) while satisfying the taste for communal festivity and immediate gratification at times when the match itself is not entertaining (Bourdieu 1984:34). It also deepens the felt sense of participation in the tribal hunt (Morris 2002:467-469). Morris conceptualises sports activity in terms of a pseudo-hunt which allows both participant and spectator to exercise the instinctive need to hunt, born of primeval man but still subconsciously present in the contemporary consumer.Football in particular provides all the necessary excitement of the hunt, with its drama, physical exertions, and the need to aim (the football) at the prey (the goalmouth). The supporters, with their rhythmical drumming, singing, and chanting, actively participate in encouraging the lead hunters (the players) and intimidating or attempting to intimidate the hunters (both team and supporters) from the rival tribe, who, in providing the opposition, play a central role in the drama.

The atmosphere at a football match is therefore most highly charged when the home fans’ main rivals are in town, because this chief group of ‘others’ allows the ‘home’ fans to experience a particularly intense celebration of their own identity (Aharpour 1999:11 & 228). The ‘away’ fans are thus an important catalyst in enabling the home fans to maintain the sacredness (Belk et al 1989) of their tribal identity with an intensity that is usually only experienced on a handful of occasions. The presence of major rivals is usually required, so there is a noticeable qualitative difference in the atmosphere when Liverpool play against Manchester United rather than against Fulham, for example, or when Cork City play against Shamrock Rovers rather than Derry. The die-hard fans see it as their duty to contribute to this atmosphere, in order to secure a successful outcome to the hunt.’ The following extract helps outline the strong sense of fandom within the Athletic Bilbao community, as their financial independence and non-consumer attitude is revered.

‘A clear pattern in studying so called hardcore fans is that their definition of ‘real’ fandom typically does not make reference to consumer goods. It is interesting therefore to consider the choices of goods and services that they do make. ‘Real’ fans are those who practice voluntary frugality in relation to consumption of goods and services. Fans will sometimes go to extraordinary lengths to follow their team, home or away, using the most frugal means of transport available.’ The article gives a clear framework and understanding of concepts like cultural capital, and habitus in relation to the world of association football. Some areas in the article also point strongly to why Athletic Bilbao have such a strong sense of community and passion as ‘real’ football fans. For example, is is arguable that the article provides factors for measurement of ‘hardcore’, ‘real’, or ‘true’ fandom within the football clubs community.

Those factors are:

Stress/weight of cultural capital – VS – stress/weight of consumer capital

Sense of clear identity and a strong habitus

[Ben]

Use of Space

Richard Serra

Born in 1939, Richard Serra’s sculptures have been seen around the world often taking up whole gallery space for his large-scale productions.In 1966, Serra made his first sculptures out of nontraditional materials such as fiberglass and rubber. Serra’s earliest work was abstract and process-based made from molten lead hurled in large splashes against the wall of a studio or exhibition space. Still, he is better known for his minimalist constructions from large rolls and sheets of metal. Many of these pieces are self-supporting and emphasise the weight and nature of the materials. Serra’s site-specific works often challenge viewers’ perception of their bodies in relation to interior spaces and landscapes, and his work often encourages movement in and around his sculptures.

Circuit Bilbao 1972 (picture from google images)

Four large sheets of hot rolled steel have been tailor–made to fit in to four corners of the gallery space. At the center of the artwork is an opening. The structure’s scale and physical presence dominates and divides the space. There is nothing else, just the four large metal plates.

Serra has said that he is interested in making sculpture that has no obvious function. It is the context of the work that interests him. Its scale and its structure make us alert to the architectural space in which it stands. Each defines the other.

The Consequence of Consequence 2011 (picture from google images)

Two eight and a half ton steel blocks stand opposite each other. Both have sides of identical length. But Serra has placed the two blocks in different orientation. Because of this they play tricks on us. We imagine their proportions are different. They look as though they might even have differing weights and volumes. There is a seemingly endless series of ways in which we can view and try to understand these works. It is as we consider these things that we become active participants in the sculptural project. And we react physically to the work: it is as though there is a force–field between the blocks.

Serra has created a work that is hard to define. It has nothing to do with the human figure, and it does not represent anything we can easily recognise. It forces us to look beyond imagery that we can readily understand and identify with.

Àngels Ribé

Born in 1943 in Barcelona, Ribe was considered one of the most important Catalan conceptual artists of the 70s. Ribe’s work, contextualised in the conceptual art of the late 60s and 70s, utilised nontraditional material, which she gradually discarded to concentrate on the ephemeral–light and shadow–and the location of the body in space.

6 possibilities of occupying a given space 1973 (picture from google images)

Use of space is in much of Ribé’s work. Whether in photography, installation, film or performance, the relation with space is essentially established through the artist’s own body.

Bilbao’s Use of Space

Looking at how Bilbao use’s its city space is interesting. In our short stay in the city, I do not recall ever seeing a park, ie grass and fields with swings etc for children. But there were parks with swings for children……just small and concrete surrounding.

     

Pictures by Jason Kurmoo

Buildings also used every inch of available space, never any gaps between buildings, whether an old building was connected to a new building or not. And when a building had apparently reached the end of its life, it appears to just get ripped out leaving a gaping space ready for the next building to be built.

Pictures by Jason Kurmoo

Considering how the city use’s space on top ground, you suddenly realise there are no outdoor car parks and again Bilbao uses this space by putting the car parks underground and some supermarkets too! I also noted that car and bike showrooms were all indoor with no display vehicles outside, utilising all possible space within the city.

Pictures by Jason Kurmoo

[Jason]

Sources

http://en.wikipedia.org/wiki/Richard_Serra

http://www.gagosian.com/artists/richard-serra/

http://www.guggenheim-bilbao.es/microsites/brancusi_serra/secciones/obras_destacadas/circuit.php?idioma=en

http://www.guggenheim-bilbao.es/microsites/brancusi_serra/secciones/obras_destacadas/the-consequence-of-consequence-v2.php?idioma=en

http://en.wikipedia.org/wiki/%C3%80ngels_Rib%C3%A9

http://arttattler.com/archiveangelsribe.html

Aahhh Bilbao….. Part 3

Monday 6 February

We tried one of the Derive tasks – Random directions. We all wrote some directions on a piece of paper and followed it to see where it took us. Below are the directions and some pictures I took on the way.

1. Turn Left

2. Go straight for 5 mins

3. Turn right

4. Go straight for 10 mins

5. Turn left

6. Go straight for 2 mins

7. Straight till underpass

8. Turn right

9. Go uphill for 20 metres

10. Turn right at T-Junction

11. Straight for 30 metres

12. Stop at service station

13. Straight for 2 mins

14. Right for 1 min

15. Straight until we see a dog

16. Right until we see Athletic flag, scarf, badge, colours

17. Straight for 5 mins

18. Turn left and go Straight

19. Go straight for 5 mins

20. Turn right and go to the last left

21. Go straight and pass 4 left turns

22. Turn right

23. Go straight for 5 mins

24. Take 3rd right

25. Take 2nd right

26. Straight for 4 mins

27. Turn left

28. Straight for 3mins

29. Turn right

30. Destination

All pictures taken by Jason Kurmoo

[Jason]

Aahhh Bilbao….. Part 2

Saturday 4 February

Match day between Athletic Club Bilbao and Espanyol. We decide to walk from our hotel to the stadium aided by a map and in the hope we can see different parts of the city.

One point to mention is everyone (that is a football fan in some way) appears to be an Athletic Bilbao fan and not just for match day, as we see many shops and flats displaying the club flag:

                                

All pictures taken by Jason Kurmoo

Not once did I see any other football teams colours being displayed including the all-conquering Barcelona or Real Madrid or local rivalry team, Real Sociadad. The club appears to have the cities people backing the club completely which must have deeper meanings that we must find out through more research.

Attempting to walk to the Athletic Bilbao stadium was very simple although we got lost 2 or 3 times again and again the locals were friendly and approached us to offer assistance! Walking to the stadium in Coventry would not be quite so easy as there are too many main roads on the route, but in Bilbao a city that is easy to walk with the stadium at the end of the city’s centre was very pleasant and after the match it was like a carnival walking back to the hotel as everyone took the same route back stopping at various bars to drink and socialise.

Sunday 5 February

We visit the Guggenheim, which looks spectacular from the outside:

All pictures taken by Jason Kurmoo

From the inside, the Guggenheim is like Dr. Who’s Tardis, it is huge with so many galleries to view sculptures and art. I focused on the artists who used ideas on space – Richard Serra and Constantin Brancusi.

[Jason]

Aahhh Bilbao….. Part 1

As part of my role as field researcher within our group, I kept a diary of what we did in our few days in Bilbao as a tool to help keep notes on what we found out. As such, I will write this post similar to diary style.

Friday 3 February

Our journey began in the early hours of the morning with snow coming down from the sky’s and arrived at the airport slightly tired but prepared for some research away from the computer and books. Once we arrived at Bilbao airport, the view from the airport looked like we had arrived at some alpine ski resort with some magnificent big green mountains and in the distance, mountains with snow-covered tops.

My first chance to try some spanish arrived when I tried to ask the taxi driver if he knew how to get to our hotel. This quickly went from the standard “Hola” to “can you take us here please?” and showing the taxi driver the hotel address on paper!

As the taxi driver drove us to the hotel, it was interesting to see us travelling down the winding mountain (if only my camera was not packed at the bottom of my bag!), eventually being able to see the inner city where you could instantly see many high-rise flats, the iconic La Salve bridge next to the Guggenheim, and endless buildings with not much space for anything else. We kept travelling in a winding motion down this mountainous area until we finally hit “old town” where we were staying and again I noted how pedestrian locals appeared to have control of the roads. They would step out in the road……and cars would stop!!! Back home cars will only stop if they have to because the road laws tell them to stop at zebra crossings for example, but here in Bilbao, it looked like cars had no problem stopping for the pedestrians and waiting until they had cleared the road. Once our taxi driver stopped, he told us he cannot get any nearer to our hotel but it is just round the corner, so we paid and got out…….and instantly got lost!! Luckily a local woman saw we were confused and asked us in English where we were trying to go, (we were literally 2 minutes away). My thoughts were how friendly the locals appeared to be as the woman did not have to offer to help us. I guess that’s what I am used to living in a major city in England.

We got ourselves settled and then ventured out to get our bearings on where we will be living and see where to eat locally. We found a few local restaurants and shops we thought we would go to but many were closed and the streets were very quiet. It was only around 4pm and a Friday so we were not sure why it was so quiet. It could not have been siesta as that normally happens around midday, but we decided to go back to our rooms and come back to a restaurant we saw earlier to eat.

When we come back out at around 6pm, the streets are busy and many businesses have reopened! We arrive at our chosen restaurant to find that the cheaper prices we saw advertised earlier had changed and were now quite expensive for an evening meal. As we needed to budget for the remainder of our stay, we decided to find something cheaper, ie fast food. This proved difficult as “old town” does not have many fast food places and as we were hungry and tired we would quite happily settle for anything, eventually eating at a pizza place. Looking around as we walked through “old town”, I could see that the people were quite diverse, Spanish people, African people and Eastern European. I honestly never thought before I came that it would be so diverse as my initial research gave me the impression that it was a very tight community city and so I expected a lot of Bilbao locals with a community of people from mainland Spain.

As with all cities, there were buildings with graffiti:

All pictures taken by Jason Kurmoo

I also observed that Bilbao uses space differently to cities that I am used to. Pathways are very narrow and buildings are tall:

                                                                                                             

  All pictures taken by Jason Kurmoo

[Jason]

and the South

Sadly not much to say in this post, I went to Southern Spain as part of a separate filming project (a short western movie) I had intended that I would use any down time on and off set to try and document the surroundings in  relation to the 380MC project surrounding football culture. While I most defiantly took notice of specific forms of football memorabilia I was unable to get any “hard” evidence such as visual or audio records due to my role as part of the film production. Any spare time was used resting or preparing for the next day’s filming.

What I was able to observe how ever was that there is still a passion for even in the most remote regions of Spain. Starting in Malaga, along the drive to Almeria and then to Tabernas there were signs of the big Spanish football teams such as Real Madrid, Barcelona, Espanyol Valencia etc. this reach even into the smallest of bars in area surrounding Almeria where flags and scarf of the afore mentioned teams can be seen hanging, with no sign of Real Sociedad nor Athletic Club. Another member of the crew also reported seeing two young children in a super market holding up a deodorant can with the Real Madrid colours on it as if they were holding the World Cup and chanting in a excitingly happy manner. Many businesses along the long roads proudly displayed these football teams’ flags just the same as the bars and restaurants.

Malaga, Almeria, Tabernas Route

Malaga, Almeria, Tabernas Route

Graffiti just as with Bilbao was everywhere. While a lot of it appeared to be nothing more than personal tags one thing kept cropping up this was the symbol for anarchy or “Circle-A”.

"Anarchy" or "Circle-A"

While I have no pictures of this graffiti in the south of Spain I do however have images of it being used in Bilbao.

Athletic Club Flag

Athletic Club Flags

Possible Anarchy Symbols

Anarchy Graffitti

While this post should in no way be taken to suggest that Athletic Club support concepts of anarchy which are linked to this symbol.It is however interesting that this is not just graffiti around the city but it proudly displayed on their football team’s flag. This is certainly would be giant leap in logic to make such a connection without any further research into the actual meaning of the symbol and what it’s possible re-appropriation by Athletic Club.

Obliviously in the area we were working in, travelling and staying the architecture was vastly different to that of the city of Bilbao. There are vast amounts of what appears to be never ending space occupied only by shrubbery, farm land and giant wind farms and no surprising give this area’s relationship with spaghetti westerns many of the buildings derelicts, occupied or place of business had a quaint “old timey” feel. While Bilbao also felt quaint to us during our field research there were no giant tower blocks based on a foundation of fast consumerism in the south of Spain, at least none that I could see. The biggest difference I could see, and see for miles, was space … and a lot of British people.

While this is just words (obvious as well) and may not be able to support any of our work so far or to come I feel these anecdotes should be if only briefly shared.

[Nic]

IDENTITY THROUGH FOOTBALL…..

By Sulaiman Iqbal

Taking into account the focus of this project, Nationalism/national identity and regional identity. How this operates as an ideological discourse in the cultures of football. Relating to how the identity of a nation reflects onto football.

During our field trip in Bilbao, we were very fortunate to interview to localists from Bilbao and find out from them why they believed in the culture, traditions, beliefs of the city as a basque nation and further why the city has created a passionate and most certainly unique identity for the city, in terms of national and regional identity. It will give you that sense of identity through football, three words that will appear quite often throughout this post.

Transcription of interview with two women from Bilbao. It very much shows the passion and unique identity which Bilbao stands for.

Interviewer – SULAIMAN IQBAL – COVENTRY UNIVERSITY

Camera personRobert Bailey – Coventry University

Interviewee A – Enam Gartziar (Bilbao)

Interviewee B – Vie Cazmen (Bilbao)

SULAIMAN IQBAL: Firstly, are you happy to do this video interview?

Enam Gartziar: The video is for you or for public?

SULAIMAN IQBAL: No, the video is not for the public, it is for our University project on Basque Bilbao?

Vie Cazmen: Is it better for you to do a video recording?

SULAIMAN IQBAL: Yes it is.

Vie Cazmen & Enam Gartziar: Ok no problem, that’s fine, we will do video recording for the interview. And Yes, we are happy for you to do it this way.

SULAIMAN IQBAL: Ok, first I want to ask you that during the period of Francisco Franco’s death between 1945-1982, the elected left wing government bought full democracy back to Spain. I want to find out from the Basque community, why they were happy to be part of that transition?

Enam Gartziar: The elected government was not left, it was centre. Not left or right but centre, the president was diplomatic and he didn’t do a bad job. In the Basque area, the political situation was different from the rest of Spain. We had a lot of political confrontment with the Spanish War government because for years Franco was against the beliefs of the Basque country, the language and the progress, he wanted all of Spain to be the same and for him to have the power.

SULAIMAN IQBAL: Why did he receive a lot of support from non-Basque people?

Enam Gartziar: Because they were fond of dictatorship and wanted this because he makes everything feel safe with security and the possibilities of the country were new to him so they depend on him. People were very dependent and not very robotic. Here in the Basque country, people are the opposite with rights, human rights, culture and language.

SULAIMAN IQBAL: Athletic Bilbao is a club which since the birth of the Basque nations in 1939, have chosen only Basque players from the youth, why are you so passionate about this and why do you support this?

Vie Cazmen: The philosophy of the team makes us feel very special and unique because there are no football players from other parts of Europe. The club is not in the market of business and it not the question of how much you can play for football players but feeling of Basque, feeling of a good players…… like it’s a dream for that player to play for the club. We believe that this philosophy of belonging is the reason and it’s not that you have to be born in Bilbao; you can be born in Africa e.t.c.

We have had players who have been born in other areas but if they have the passion and belief, and you want to play for Athletic Bilbao, nobody is going to say no. It’s not a question of whether you are from that region and the blood of it but it’s about philosophy. If you believe in this philosophy, the team place is very beautiful and everyone is collective and they connect.

Many people feel can feel offended that we are so proud but it’s like this with you, we are very public because our players may be offered millions and millions of pounds from other clubs and they say no and to have that belief and mentality is why we are so proud and it’s also good for the future and our children.

SULAIMAN IQBAL: The club has never been relegated and you are currently just below a qualification spot for the Champions League.

Enam Gartziar: Yes, there has only ever been three teams to have remained in the first league, Barcelona, Real Madrid and Bilbao. Also never has it been signs of the team being violent. Basque people are meant to be well hearted and we have a proud saying which shows how proud we are of our style.

SULAIMAN IQBAL: Are you both from Bilbao?

Vie Cazmen & Enam Gartziar: Yes.

SULAIMAN IQBAL: Ok, Do you know many people who are not originally from Bilbao or born and bought up in the area, but yet they support the beliefs and passion of the Basque community?

Enam Gartziar: Yes so many people, our fathers are not originally from here, they are from Zaragoza and Lyon but have always supported the beliefs of Bilbao and the football club but also support their original backgrounds!.

SULAIMAN IQBAL: Why do you think they support the tradition having not been bought up or born in the region?

Enam Gartziar: Anyone who has come here have felt very hospital and welcomed, my father was very happy to come here and marry my mother, his wife and he has always been very grateful because he has lived a very good life, having very good friends, all things very easy for him because of the life here.

SULAIMAN IQBAL: I just want to ask, when a derby match takes place, both fans do a march in protest of a kidnapping of an industrialist by ETA, why do you do this?

Vie Cazmen: That only happened during the time when the industrialist was kidnapped, not anymore. With Real Sociedad, we are big rivals because of competition and we have a big war against each other but with ETA, we are against ETA together because we are both Basque and the teams get together when something is affecting Basque and Basque football. With Football we are enemies but in politics, we are together. Sometimes Bilbao has taken players from the Basque youth or team and school because they come from them to play for us and the Real team hate that Athletic steal their players. Such a big rivalry with football and sport but never violence. It’s like rivalry between brother and sister but big rivalry.

SULAIMAN IQBAL: Has there been any violence with a derby game or any Athletic Bilbao game?

Enam Gartziar: With Bilbao? No, not really, probably never, maybe you can say slightly with Real Madrid but no not really violence. But as a Basque city, we are strong and not afraid.

SULAIMAN IQBAL: What class are people in Bilbao?

Enam Gartziar: In Bilbao, everyone is middle class but the partnership to belong to the club is expensive, to go to a match is expensive, you have to pay a lot of money. They are now building a new stadium and to be a partner, you have to pay a lot of money and to be part of the club when the stadium is built; you have to pay every month to them, which is a lot of money.

SULAIMAN IQBAL: When will the stadium be built?

Enam Gartziar: The project is just beginning now, so it will take time but it’s important to pay to them if you want to have a chance to be part of the new stadium.

SULAIMAN IQBAL: How is it being funded?

Enam Gartziar: The government, past government and then also the province government. So the three governments as you have the Bilbao government, the province government and the Basque government. The Basque government slightly less support because they say it should not only be for football but other sports but people in Bilbao say, it should only be for football!

SULAIMAN IQBAL: Ok thank very much for the interview.

Vie Cazmen & Enam Gartziar: Thank You.

Reflection on the interview…………………..

From the very beginning up to the end of this interview, I was amazed by the passion and beliefs coming through the answers given by these two women. They felt very strongly about the political beliefs of the city of Bilbao, the culture and heritage it stands for across the world and the label it has given to the name of the city. This interview showed me and my group a big difference in what we took with us to Bilbao and the assumptions we had, compared to what we found out and realised when we were there.

The women reflected a whole city, the identity it stands for and the regional uniqueness. An identity to be one and not divided, to be a community and not individuals, to be a family and stand together. From the death of Franco and the political changes during that period, they showed whether it is politics or sport, the city of Bilbao will stand by what they believe in, the idea of human rights and cultural beliefs and a united front. Whether one city or the rest of the world don’t believe in what Bilbao stands for, they would never walk away from their traditions and will always honour what this city has built and what makes it different from others.

Without a doubt, Bilbao has rivals and rivalry is evident with its biggest opposition, Real Sociedad, who also compete in Spain’s La Liga along with Athletic Bilbao. A rivalry built over the years but as you would see from the interview, both teams will always remain big rivals but when it comes down to politics, they are together but with football, they are rivals. For me, one answer which stood out for me from this interview from Enam Gartziar – “with ETA, we are against ETA together because we are both Basque and the teams get together when something is affecting Basque and Basque football. With Football we are enemies but in politics, we are together. Sometimes Bilbao has taken players from the Basque youth or team and school because they come from them to play for us and the Real team hate that Athletic steal their players. Such a big rivalry with football and sport but never violence. It’s like rivalry between brother and sister but big rivalry”.

Something which very much sums up the national and regional identities of Bilbao and the basque nation, the culture and heritage it has created and the strong beliefs it shows through the unique identity it stands for. A basque nation who are big enemies through football but stand as one with political interferences with their nation.

A national identity and regional identity that without a doubt will continue to build and expand and stay stronger since the day the basque nation was born.

Football has always been part of Bilbao’s unique, yet fascinating identity. Football dates back to as early as the 1890s when sailors who imported coal to the UK and engineers who worked for local coal mineowners and shipbuilders would often play football on any flat surface, this being their first sight of the ‘beautiful game’. The football game grew and the first ever friendly to be played in the city was between British and basque teams on 3rd May 1984, the basques winning 6-0. With the popularity increasing, it was shaping a new era for the cities identity with players forming their own clubs. Athletic Bilbao was formed in 1901, something you may have read often in this blog.

The support from locals in the core of this identity as pointed out at the beginning of this post and from the transcription. Achievements,. success, medals are not the only factors that localists are passionate for, as they very much believe in what the name represents, a group of players of the Vizcayans, the province whose capital is Bilbao, the name being the team representing the basque nation. It’s incredible to see the level of support for the traditions of the club and noted from the transcription. Athletic Bilbao is not a limited company but jointly owned by its members. The club doesn’t believe in allowing the richer to take over but in return they increase subscriptions for members. Clearly, this is not a good model to raise and maintain a good financial position every year.

With the well known policy of the club to use basque players from its youth academy, it also means that the majority of the money the club has is focused on the academy. It is known as ‘la cantera’, ‘the quarry’, getting local talent and not big paid players. Athletic Bilbao has what is known as ‘the virtual academy of football’, youngsters who get the high level training and knowledge the team believe in and further, what the city is in support of, shaping the core of its traditions and beliefs.

It is evident that tradition and uniqueness continues to show when you look into the identity of the city and its relation with football and this is very much down to general members of the city taking advantage of their physical attributes for the passion it gives them and to bring the community together and united in belief. Whether it is in the stadium or outside a local pub, togetherness and the will to support can be seen through conversations, body language, expressions e.t.c. One famous reflection of Bilbao’s identity through football is Gabriel Ortiz, a famous fan from the 1950s and 1960s. He was and always will be famous for his incredible loud chant of ‘Athleeeetie!’, with thousands in the stadium responding with ‘Eup!’.

Identity through football, as it has been said more than once in this post, identity through football…….

You may never think it but journalists have had an amazing role in broadcasting, talking and writing everyday about this wonderful club, city and people. Some of the most famous commentators and journalists would relate to the unity and togetherness of the team and the press, mirroring the team and its unity with its people, a special thing that is still visible today. Every main newspaper in Bilbao each has one journalist who daily write about the clubs current news and stories. For matchdays, more is written and without any doubt, through each word, whether the team has been successful or not, you can feel the passion and support which mirrors the traditions every single person living in the city stands for and what adds to the special identity of the basque nation. Identity through football, identity through football……………

People feel that the club belongs to them and its part of them. Many senior fans have stated how the colours red and white bring such history to the team and the cities identity. As basque children, they evacuated overseas during the war and stayed together by wearing a red and white t-shirt and calling their team, ‘Athletic de Bilbao’. It’s a moment that many believe gives immense reflections of the community and its support.

I will end on a famous note which for me represents the true meaning of those three special words for Bilbao – IDENTITY THROUGH FOOTBALL. In 1984, the club came back to the city as league champions and it remains one of the most famous moments showing the relationship between the club and the community and something that brings that moment together is from the words of Castresana (1996:189) – “Bilbao yesterday was something more than a frenzy and something more than a fiesta. It was an experience. It was the communion of a people with its team and, at root, the communion of a people with itself….. Athletic is ourselves (El Correo Español, 7 May 1984).

Identity through football………


References:- MacClancy, J (1996) Sport, Identity and Ethnicity. Oxford: Published by Berg

Papastergiadis, N (1998) Dialogues In The Diasporas, Essays And Conversations On Cultural Identity, New York Washington Press

Capozza, D & Brown, R (2000) Social Identity Process, London: SAGE Publications Ltd

Armstrong G & Giulianotti (1999) Football Cultures and Identity, Basingstoke: MACMILLAN PRESS LTD

Harris, C & Alexander, A (1998) Theorizing Fandom, Fans, Subculture and Identity: Hampton Press Ltd

Giulianotti, R & Williams, J (1994) Game Without Frontiers, Football, Identity and Modernity. Ashgate Publishing Ltd

Hall, S & Du Gay, P (1996) Questions Of Cultural Identity. London: SAGE Publications Ltd

Heiberg, M (1989) The Making Of The Basque Nation. Cambridge: Press Syndicate

Anywhere you would look, something would give it identity and link to the club, whether it was the endless number of club flags, shops, the site of the new stadium, even bins, you can see the identity of the club, the special values the red and white colours stand for.

SEE IMAGES BELOW

Pictures by Sulaiman Iqbal

Gesto por la Paz (A Call for Peace)

Here is the translation of a leaflet handed to us and many other people on the streets of Bilbao. Our attention was grabbed immediately as it appeared to refer to ETA however after reviewing the completed translation curtsy of Jennings Independent Translations. ETA is referred to once as “part of the past”. What the leaflet suggests is that a free Basque nation is has been achieved. This has been achieved through non-violence, while it may not add much to the project at large, what it is, is more evidence for peace Basque nation.

Gesto por la Paz (A Call for Peace)

Gesto por la Paz (A Call for Peace) demonstration: Bilbao, February 11th 17:30

ETA is a part of the past but the future is ours. We’ve made it. Democracy, freedom, respect, tolerance, justice and through nonviolent methods, we’ve prevailed against the cruelty of violence and oppression.

We’re going to call our final demonstration, since Gesto por la Paz began carrying out in 1988, celebrating the International Day of Nonviolence. It will be our contribution to establishing the foundations of peace and freedom and the reassertion that there is no turning back. Our work is not over yet and therefore, we demand a series of strong and necessary messages for the future:

  • Never forget what has happened, nor the resulting victims.
  • Build the ethical foundations of a common shared story, the result of a consensus amongst those of us who have challenged the justification of violence. A story that does not legitimate the violence exercised against people in this society and against democratic coexistence in diversity.
  • Support the rebuilding of coexistence which for years has been subjected to the pressure of violence and threats. Such coexistence should be founded on tolerance and freedom. In order to dispel the fears that still exist, the Abertzale left will have to take further steps in the acceptance of diversity and a democratic framework.
  • Detach violence from political conflict because the latter did not justify the rise of terrorism and is going to last beyond the end of violence. We must build our future exclusively through dialogue, persuasion and democracy.
  • Respect the rights of people in prison. We defend a more humane incarceration policy, but we will never defend impunity. TRUTH and JUSTICE are necessary. Prison policies should focus on individual trials, as is already happening in some cases.

This will be our very last call, and we ask you to join us. Meet on Saturday the 11th of February, 17:30 at la Plaza del Sagrado Corazón, Bilbao.

Lortu dugu

The future is ours

Translated by Steve Jennings available at stevej_muse@hotmail.co.uk

[Nic]

References:

Gesto (?) Gesto Por La Paz: Sala De Prensa [online] available from <http://www.gesto.org/prensa.htm> [2/17 2012]

Bilbao

Image shot from pavement perspective. Highlighting the design of common footpaths in contrast to that in other cities.

The same shot of the street above. lit with street lighting at night. Notice the lack of rubbish on the street and also, the distant garbage truck in the distance which came to collect rubbish at least four times everyday, Emphasising i would say the pride in the city and the community spirit.

The same shot of the street above. lit with street lighting at night. Notice the lack of rubbish on the street and also, the distant garbage truck in the distance which came to collect rubbish at least four times everyday, Emphasising i would say the pride in the city and the community spirit. The same shot of the street above. lit with street lighting at night. Notice the lack of rubbish on the street and also, the distant garbage truck in the distance which came to collect rubbish at least four times everyday, Emphasising i would say the pride in the city and the community spirit.

We found that dogs are common place and seem to be thought of very highly in Bilbao, as the image above and below seems to demonstrate.

Here we see the flag flying high. Notice the colours in the surroundings below.

Three elderly women

Community Spirit Generations - Thee elderly women enjoying a smoke together. late into the night after a Bilbao match.

After Match - Here we see the flag carried with pride

Buildings along the river - Notice the colours and the designs

Cash - interesting that there's so much graffiti on this shutter as opposed to other business in the area. May suggest a certain social class attracted to this area possibly?

 

family Affair - A little girl plays by herself, outside Athlitico Bilbao's stadium. Few minutes after match is over. Something not to be seen post UK football matches arguably.

 

Interestingly, the woman captured here who appears to be a homeless person did not beg for money verbally. Yet still, passers by still stopped to give her money

 

 

Night life around Bilbao

 

 

Bilbao Streets

 

Bilbao Scores – Fans reaction in local pub

Artists of Bilbao

Again these are just images.

Eduardo Chillida – Basque Sculpture (10/1/1924 – 19/8/2002)

Eduardo Chillida - Berlin (2000)

Jorge Oteiza – Basque Sculpture and Artist (21/10/1908 – 9/4/2003

Jorge Oteiza – Oteiza Apostoluak "The apostles" (1950)

To be continued …

[Nic]